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Showing posts from February, 2019

Prints of Force Gill Whernside Yorkshire Dales

This past October my wife and I visited the Yorkshire Dales as outlined in this post. I have  finally gotten around to making some prints in the darkroom from this trip. This is Force Gill on Whernside the highest point in Yorkshire. It was taken with my Fuji GSW 690 6x9 medium format rangefinder camera on Ilford FP4+, developed with HC-110 dilution B single shot.
I was a bit lazy however and decided to print it in my downstairs darkroom (I know how luxurious it sounds to have two darkrooms!) which means my Meopta 6x6 enlarger. The Beast upstairs can handle the 6x9 negative but it is a bit limited in that it has no wet-side and I must haul my exposed paper downstairs in a light-tight tube to develop the prints. (See not really luxurious at all!) 
So I opted to crop 6x6 out of 6x9 and this changes the image markedly. Below is the original image from the scanned negative. As I noted before in my best of 2018 post, I liked this wide angle shot as it makes the waterfall fit into a much l…

Back to the Darkroom:Update

Reflecting on my original post and my complaint about the thinness of the negative I decided I should  try and intensify the negative. There are many ways to to this including a very old technique of using Mercury Chloride (not a good idea!), Chromium, Sepia toner, ot Selenium toner.
Fotospeed makes a Chromium intensifier intended for darkening thin negatives. I have never tried this but this is one way to go. Andrew Sanderson's excellent blog has instructions on using Sepia toner. This involves bleaching then toning the negative. He does a great show and tell to explain the process. Finally I use Selenium toner. Why? Mostly because I already have Selenium toner mixed up for my printing use. It is also dead simple. Just dunk the negative into selenium mixed a 1+3.  I give it about 3 minutes. I get anywhere from a 1/2 stop to full stop improvement.  I gave a short write up here but realized though I was satisfied with the improvement I didn't show side-by-side examples.

Below I …

Back in the Darkroom! Iron Blue Toning Prints

After my session in the darkroom I wanted to experiment with some Iron Blue toning. (See my previous post for details.) Wolfgang Moersh's work inspired me to take a further look.

I brought out his MT7 Iron Blue toning kit and mixed some fresh chemistry. On his photos on Flickr he gives some of his recipes. The one I used was 2+2+5+2 with 500ml of water. In his system the numbers are milliliters of Part 1, 2, 3, and 4 respectively.

I decided to use the 8x10 prints to experiment with. These are all printed on Kentmere VC Select RC paper. The chemicals are mixed with the water and I poured about half into the tray to cover my first print. This was a print I had made with suspected expired developer but was probably OK. I let it run for about 3 minutes in the toner. I would let the toner wash over the print and prop up the tray to let it drain. This lets me assess the degree of color change. The next I did for 2 minutes though it was a darker print and finally for 1 minute for a moder…

Back in the Darkroom!

I haven't been in the darkroom for some time. I did a brief stint (2 prints) in November on the Beast my 4x5 enlarger. This lead me to work on some missing negative holders the subject of a post back then. 
So this weekend I spent several hours printing and found it enjoyable again. The process has a start, some lessons and a few pleasing results.  Getting Me Started Again (Thanks Wolfgang!)  The beginning of this session I suppose was my visit to British Columbia to see my son last December. We went out walking and he indulged me by letting me take photographs as we talked and caught up. I had decided to try some Foma Retropan 320 to see if I could make it my high speed black and white film. The results made me decide not but I still got some decent photos from the visit. 
Later I 'faved' a photo from Wolfgang Moersch. Wolfgang sells his own chemistry for film and paper and I can attest to the quality of his products. I use his paper developer Eco 4812 almost exclusively…

Lynwood Arboretum: A couple of 4x5 photos.

A couple of weeks ago I was getting a little antsy that I hadn't been doing much photography in a while. I had some time to myself and so I set out to Lynwood Arboretum where my wife and I had visited a few weeks earlier.

It wasn't a particularly special day for photography, it was a little rainy and broken weather but I felt I needed to do something to keep my skills and habits from getting too rusty.
Lynwood Arboretum is on the edge of the Fens in East Anglia. The Fens, which I have to drive through are unremittingly flat. They are reclaimed wetlands with works beginning at the time of Charles II. Using the help of the Dutch, a vast area was eventually drained and reclaimed to be rich farm land. Now my family stock come from Iowa and Illinois in the Midwestern USA but there are areas of the Fens that rival these places in terms of flatness if not scale.

On the way to the Arboretum I did stop an take what I hope will be a good representation of this landscape on my Fuji G617 …

A Few Words on Wilderness

In a previous post I contemplated the nature of wilderness and isolation. Having grown up in Flagstaff Arizona and having lived on the edge of the National Forest I had ready access to wilderness and isolation. I was a shy and introverted kid at the time. Tall and skinny, always with long hair.

The awkwardness of those pre-teen years assuaged by the quiet forest, the sounds of wind in the ponderosa, the call of the Steller's Jay, that dry pine scent filled air of northern Arizona. For hours after school and on weekends I wandered this patch of wood and knew every aspect of it. The place we buried our family dog. Where a skinned mountain lion was lying stiff, red-muscled in the grass, and then days later not a trace. Elk or deer stalked, then startled, bolting and bounding through the woods over the gray dead trees with their yellow pitch-striated knots. The hidden delicate vanilla smell of the ponderosa pine when a nose is pressed into its cracked bark.  On warm day the richer sce…

An Ad Hoc Scouting Trip in Nevada

This past week I was in Las Vegas for CES the Consumer Electronics Show exhibiting for my company. It was a long week of set up, attending, and packing up. We had a good show but I was exhausted by the long hours, standing almost constantly, and talking with visitors.

I enjoy this part of my work but I am by nature an introvert and so have always found I need some downtime each day to recharge. The days are long enough this does not happen effectively so at the end of the show I really needed to spend some time alone. We packed up early and as a result I had a day and half to myself before the flight back to the UK and home. I would have preferred to be home but I made the most of the extra time on this occasion.

I decided to rent a car and head out to the desert. I don't know that much about the area around Las Vegas so I picked the area around Red Rocks Canyon National Monument for my day out. I had not planned this before I left and so brought no film cameras just my iPhone. Th…