The Glory of Our West: Part 3
This is the third in the series of photos from the 1952 booklet The Glory of Our West published by Standard Oil company.
Mission San Juan Capistrano
GEORGE E. STONE, San Jose. 5 x 7 Eastman view camera; f:6.8 lens; Kodachrome film, daylight type; 1/5 second at f:22. Made on a somewhat overcast day in July. Because of the darkness of the colonnade, a synchronized flash was arranged. Two "blue" bulbs were used; one about 10 feet from the camera, so as to light up the dark wall area; the second mounted on the camera itself.
Santa Barbara Mission
FRED BOND, Los Angeles. 4x5 Speed Graphic camera; 5-1/4" Zeiss Tessar lens; CC13 filter; Kodachrome film, daylight type; 1/5 second at f:25; June, 2 p.m.
Sequoia National Park
JOSEF MUENCH, Santa Barbara. 4 x 5 Crown view camera ; 5-1/4" Zeiss Tessar lens; No. 1 haze filter; Kodachrome film, daylight type; 1/5 second at f:22; mid-afternoon, early December.
Kings Canyon National Park
JOSEF MUENCH, Santa Barbara. 4 x 5 Graflex Crown view camera; 5-1/4" Zeiss Tessar lens; Eastman haze filter; Kodachrome film, daylight type; 1/5 second at f :14; mid. morning, end of August.
Yosemite National Park
ANSEL ADAMS, San Francisco. 8 x 10 Ansco Commercial view camera; 14" Ektar lens, coated; CC14 filter; Koda- chrome film, daylight type; 1/10 second at f:16; spring season in June; slight pre-exposure of film to gray card to enhance shadow values.
ROSS A ROSS, San Francisco. 4x5 Speed Graphic camera; Kodachrome film, daylight type; late February light.
Big Bend National Park
ANSEL ADAMS, San Francisco. 8 x 10 Ansco Commercial view camera; Cooke triple convertible lens; CC13 filter; Ektachrome film; 3 seconds at f:45; fairly bright, early spring morning.
RAY ATKESON. Portland. 4x5 Speed Graphic camera; Kodachrome film, daylight type; special color filter; 1/5 second at f :22; late afternoon sunlight, just before sunset; early June.
RAY ATKESON, Portland. 4x5 Speed Graphic camera; Kodachrome film, daylight type; haze filter; 1/10 second at f:16; afternoon sunlight in April.
RAY ATKESON, Portland. 4x5 Speed Graphic camera; Zeiss Tessar lens; type B Kodachrome film; color. compensating filter; 1/25 second at f :9; July, midday.
WALT DYKE, McMinnville, Oregon. 4x5 Speed Graphic camera; 5" Ektar lens; Kodachrome film, daylight type; haze filter; light meter average of scene excluding figure;
RAY ATKES0N, Portland. 4 x 5 Speed Graphic camera; 127 mm. Ektar lens; Ektachrome film; CC15 filter; 1/5 second; lens stopped down to f:22 and focussed at inter-mediate distance to give maximum depth of focus.
RAY ATKESON, Portland. 4x5 Speed Graphic camera; Zeiss Tessar lens; type B Kodachrome film; color. compensating filter; 1/25 second at f:9; June afternoon.
RAY ATKESON, Portland. 4x5 Speed Graphic camera; 3-1/2" Wollensak lens; 85B color-compensating filter; type B Kodachrome film; 1/5 second at f: 16; August, 9 a.m.
Olympic National Park
FRED BOND, Los Angeles. 4x5 Speed Graphic camera; 5" lens; Kodachrome film, daylight type; CC13 filter; 1/5 second at f :20; 3 p.m., October.
FRED BOND, Los Angeles. 4x5 Speed Graphic camera; 7-1/8" B. & L. convertible protar lens; Harrison C-1/8 filter; Kodachrome film, daylight type; 1/5 second at f:25. Brilliant midafternoon, September.
FRED BOND, Los Angeles. 4x5 Speed Graphic camera; 5-3/4" convertible protar lens; Kodachrome film, daylight type; 1/10 second at f:18; sunlight softened by excessive atmospheric humidity.
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