MorseBlog

When I purchased a lot of old photo paper I also received some packets of Ilford PFP developer. The website Photomemorabilia has reference to a catalog from 1953 and this seems to jive with other Ilford packaging of that age. The packet is shown below. Ilford PFP Packet PFP is a developer based on Phenidone as a substitute for Metol. The enclosed instructions are reproduced below. The last page of the instructions has a 57 in  the corner. This might indicate 1957. Page 1 Page 2 Page 3 Page 4 I decided to test the developer with some Velox as it was from a similar time. Velox Paper It is small paper which fits a small Bakelite contact printer I got with the developer. I only used the contact printer to hold the paper and used the 6x6 red mask to frame it. I aimed my enlarger at the paper as I did not wish in separate the individual negatives to fit them in the printer. As individual negatives they are impossible to put back into sleeves. The prints ar

This past week I read an article about a photographic exhibit called Memory City  which explores Rochester New York (Kodak's headquarters). In the article it was mentioned that some photos were taken with Kodachrome and processed as Black and White. I remembered I had an old roll from around 2009 that though exposed never made it to Dwayne's in time before the last rolls were developed. I researched on-line how to process it. Most examples I saw used D-76 developer and recommended at least 1-2 stops overexposure. The exposed film I had was shot as box rated and I do not have any D-76 and did not want to purchase any. I failed to find anyone who used LC29 (Ilford) on Kodachrome. I noticed the development times were generally extra long compared to black and white so I took a recipe for TMAX and LC29 and extended the development time. In this case I used 7:30 minutes as 22 degrees C. The developer came out dark gray presumably from the remjet backing coating. After stop and fix

I probably first became aware of Cibachrome in the late 1980s. My brother managed a color lab (Jackson's in Flagstaff AZ) and he raved over the quality of color particularly when printed from a Kodachrome transparency. I hadn't really thought about it much until sometime after I myself got into film photography in 2009. Readers of my blog will know that I have been trying old B&W photographic papers along with contemporary versions; as I improve my skills I am also interested in some of the history and past experiences in the subject. I suppose this 'retro' angle is something I have always enjoyed. I spent many years building furniture and would build it only with traditional joinery. I enjoyed that connection with the past even as I often used power tools to save time and effort. Never-the-less I often took on parts of or whole projects using only hand tools. In photography alternative processes hold a similar interest for me but I have not taken them up yet. W